Mac Barnett & Jon Klassen. Square, 2018. Illustration (ink, gouache and graphite)
Mac Barnett & Jon Klassen. Square, 2018. Illustration (ink, gouache and graphite)
Jorge Oteiza Embil. Internal Spatial Emptiness with External Circulation for Architecture B, 1973. Black marble. 25×53×48.5 cm
Fernanda Gomes. Untitled (Sem título), 2015-2019. Wood and white paint. 20 cm high. Alison Jacques Gallery. London, UK
Souto de Moura. Just Lamp, 2000. Steel and concrete. 30×30×200 cm. O/M Light. Porto, Portugal
Hiroshi Sugimoto. U.A. Playhouse, New York, 1978. Long-exposure photograph. New York, USA
Robert Motherwell. The Wedding, 1958. Oil on canvas. New York School. USA
Aires Mateus. Centro de Convívio de Grândola. Portugal, 2016. Concrete, white render
Isamu Noguchi. Installation from the permanent collection, 1945-1947. Stone and interlocking structures. The Isamu Noguchi Foundation. New York, USA
Miguel Fisac. Vigas Hueso, 1960-1963. Precast prestressed concrete. Madrid, Spain
Bruce Asbestos. Monster Fun 2, 2025. Inflatable sculpture. NEW POP MAX exhibition. BN9 Studio, Marine Workshops, Newhaven, UK
Cristóbal Halftter. The string quartets. Vol 1. Arditti Quartet
José Luis Fernández del Amo. Chapel of Las Marinas, Almería, 1958
Ángel Ferrant. Figura del mar I, 1947-1948. Gouache, ink and pencil, 29.9×22.6 cm. Museo Patio Herreriano
Ángel Ferrant. Helix. Stone, shells and wood, 25x10x5 cm, Museo Patio Herreriano
Restaurant Chez Georges, 273, boulevard Pereire, Paris, France
Robin Klassnik. Exhibition flyer.
Sáenz de Oiza sailing with his boat Marco Polo in Mallorca
Pablo Palazuelo. Omphale I, 1962. Oil on canvas, 204×294 cm
Ruth van Beek Doily (figure 135), 2022. Collage with photograph and gouache-painted paper, 22×7 cm