Tectonias, minimal forms. They trace the path of dwelling, invoking essential architecture (tectos). They aim to celebrate maximum spatial sophistication, the culmination, the most achieved atmosphere.
In the Arkitektons sculptures in concrete and plaster, Malevich’s imaginary architecture is celebrated: each unique form suggests silent, impossible volumes, while a nod to Oteiza’s chalk laboratory and Basque constructivism pays homage to experimentation, geometry, and the imagination of space.
Fogar, from the old Spanish word hogar, pays homage the home’s most essential elements—table, chair, stool—transforming them into impossible forms and colors that evoke the simplicity, warmth, and authenticity of the everyday hearth.
Within the body of work, the 'Estancias' vary according to the number of layers and separations, alternating volumetric pieces with others of subtle relief.
Section photographs by Mara Alonso.
